Accuracy Matters
Each emulation is built by matching a digital image to a film scan. The same lens and lighting situation is maintained during the digital and film shoot to eliminate all other possible variables.
Emulation for Every Camera
Each digital camera comes with its own digital sensor and color science, making a one size fits all emulation impossible.
This is why we have profiled the most popular digital cameras and created separate emulations for each so you can get accurate film looks no matter what camera you use.
Film Scanners
Film Emulation Methods
Each emulation in the Color Precision Collection includes two tools for emulation.
Profiles alter the raw data of a digital image to change contrast, saturation, and hue in a more precise manner that the basic tools in Lightroom would allow.
Presets modify settings directly within Lightroom, giving you control over specific values. However, they lack the precise color transformations that profiles can achieve.
The profiles are designed to establish the base look, while the presets can be layered on top to fine-tune the image, similar to how a lab technician adjusts scans while operating a Noritsu or Frontier.
Halation + Film Grain
Grain behaves differently across tonal regions, so we’ve included a grain preset that uses luminance masking to apply grain naturally to different areas of the image. This creates the most realistic film grain effect achievable in Lightroom.
The halation effect requires Photoshop, so we include a Photoshop action that automatically identifies areas in a digital image where halation would naturally occur and applies the effect accordingly.
Highlight rolloff
Soft Highlight presets are included with the product to create a more natural-looking highlight rolloff by lowering the white point using a curves adjustment.
Using profiles with built-in highlight rolloff can cause highlight clipping, which may result in a loss of detail in the brightest areas.
When you apply a Color Precision profile to an image, the highlights are reduced, but the white point remains unchanged.
If the white point were lowered in the profile to imitate the smooth highlight rolloff of film, the brightest areas of the image would become clipped. As a result, true white could no longer be restored, even if you set the highlights to 100%.
Color Filters
Black and white film photographers put colored filters on the lens to control how each color turns to gray. A filter lightens colors close to its own and darkens the opposite ones.
The Color Filter presets recreate the four classic filters on top of any B+W profile:
Yellow darkens blue skies a little so clouds stand out. It is the most natural of the four.
Orange darkens skies further and smooths skin tones.
Red darkens blue skies dramatically for strong contrast, and lightens skin and red tones.
Green lightens foliage and darkens skin and red tones, bringing out texture in landscapes and portraits.
The reset preset removes the filter.
What's Included (432 Profiles, 38 Presets, 6 Actions)
Portra 160 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Portra 400 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Portra 400 pushed +1 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Portra 800 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Gold -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Gold pushed +1 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Ektachrome -2ev/-1ev/+0ev/+1ev/Noritsu version/Frontier version
Ektachrome cross processed -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Ektar -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Ultramax -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Colorplus -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Pro Image -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Kodacolor 100 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Kodacolor 200 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Pro 400H -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Pro 400H pushed -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Pro 160S -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
NPS 160 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Provia 100F -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Velvia 50 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Fuji 200 -2ev/-1ev/+0ev/+1ev/Noritsu version/Frontier version
C200 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Superia 400 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Fuji 400 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Natura 1600 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
NHG II 800 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version
Delta 100 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
Delta 400 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
Delta 3200 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
FP4+ -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
HP5+ -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
Pan F+ -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
SFX -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
XP2 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
Ortho -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
Tri-X -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
Ektapan 100 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
Ektapan 400 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
Ektapan P3200 -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
Acros II -1ev/0ev/+1ev/+2ev/Noritsu version/Frontier version/pushed version
Grain Preset levels 1-5
Film Blur Preset levels 1-5
Soft Highlights Preset levels 1-5
Fade Preset levels 1-5
Contrast Preset levels 1-5
Expired Film Preset levels 1-5
AI Masking Presets portrait - sky highlight recovery - subject pop
Halation Action halation - paint-on halation
Highlight Bloom Action highlight bloom

































































